Dir. Massimiliano Cosi
Music should never follow the image. It should become part of it.
Every score begins with the film itself — its rhythm, pacing, silence and emotional arc. From the first spotting session to the final mix, every cue is composed to serve the story, not simply accompany it.
Working with a palette of vintage instruments, orchestral recordings, analog tape and modern production techniques, I create scores that feel timeless, tactile and emotionally precise. Music with character. Music that couldn't belong to any other film.
No stock libraries. No pre-written cues. No recycled themes.
Every composition is written exclusively for a single production and licensed solely for that project, ensuring a unique musical identity from the first frame to the last.
I intentionally work with a limited number of directors, agencies and production companies each year, allowing every collaboration the time, focus and craftsmanship it deserves.
Original music, thoughtfully composed to become part of the film — not simply its soundtrack.
Tape machines. A vintage Hammond. Outboard gear. Hand-written scores. The analog tools behind every cue — paired with the modern production that brings them to picture.
Carmine created an unforgettable score — one that becomes a true character within the story. His music doesn't just accompany the images; it shapes them, giving rhythm to the narrative and deepening it with symbolic meaning.
Composer, producer and sound designer based in Milan. He writes original music for brands, design and film — never licensed, never off the shelf.
Recent work: Foscarini's "What's in a lamp?" series, shown at Milan Design Week 2025; Loro Piana's projection mapping on the Bergdorf Goodman façade in New York; the RAI animated series "Go Go Around Italy"; and campaigns for Seven, Superga, Bally, Reda and QC Terme, with studios including Monkey Talkie, Malaka Studio, Undesign and Monogrid.
He also performs live on Hammond organ and keyboards with Le Vibrazioni.